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SHERLOCK HOLMES AND THE SECRET OF MAKING WHOOPEE
nytheatre.com review by Ivanna Cullinan
August 15, 2002
Sherlock Holmes and the Secret of Making
Whoopee by Sean Cunningham is an amiable romp through
Holmesian motifs. The game is afoot when, while suffering yet
another of Holmes’ dissertations on his own brilliance, Dr.
Watson ferrets out Sherlock’s dark secret. No, no, not the
boring cocaine addiction stuff (although that will be used to
great comic effect by Benjamin Davis as Holmes). Much more
shockingly, and to the delighted machismo of the dull but very
married Watson, the experienced detective is a…virgin.
And oh, what revenge the Doctor has in giving the great man his
comeuppance. Let the case of the battling over-compensators
begin! How much emotional support can you expect from an
elder brother? What will Inspector Lestrade do if he
finds out? Will the great mind ever be able to focus
again? Is there any accent with greater comic
possibilities than Scottish? (Thank you, Tommy Schrider for
making that seem doubtful.)
Everyone is implicated as accessories to the
mayhem—the entire cast is great fun and fully committed. The
action shifts deftly with the strategic use of screens and the
work does not lag under Davis McCallum’s direction. The piece
may not be what is generally thought of as a musical, as it is
very light on the song front (four, to be exact and though fun,
quite short ditties at that). However, the writing amuses and
takes advantage of all available puns (as in "Don’t shit me,
Sherlock!"). The humor tends to rely more on violence than the
tease the term "whoopee" led me to expect. It does tend to be a
very male piece overall, going on at length about the
stereotypically oppressive reputation of the Victorian era and
underutilizing its strong female cast. Susan Ferrara plays both
Irene Adler and Mrs. Watson hilariously, and Rose Grimmond’s
Doctor Moriarty is a joy.
This show proves it elementary that the
extremes of sexual insecurity can be the source of an enormous
amount of entertainment.